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Sunday, March 30, 2008

Rotographing decay over time


Nowhere 2

1. In monochrome




2. and supersaturated



My Equipment

My Camera: the Canon 5d


Canon 5d
When I purchased the 5d, I had previously owned three film cameras and four digital cameras. My previous camera had been the excellent Canon 20d, but I was wanting the improved low-light abilities of the 5d, along with the greater variation in ISO selection and numerosu other small improvements.
The Canon 5d has exceed all my expectations, I must say am thrilled with it. It feels wonderul in my hand, with a comfortable heft that is just right. The battery life is exceptional, the viewfinder bright, the controls instinctive. I never feel the camera is getting in my way, which is what has caused me to upgrade every time in the past. At the point where I feel I am fighting against the limitations of my equipment, it is time to upgrade. So far, the 5d has been a willing and capable partner in all my photographic endeavors. And the quality is bloody outstanding. Top notch. I HIGHLY recommend this camera.
Canon EOS 5D 12.8 MP Digital SLR Camera (Body Only)

Canon EOS 5D 12.8 MP Digital SLR Camera with EF 24-105mm f/4 L IS USM Lens


Wide Angle Lens: the Canon 17-40mm F/4.0 L


Canon 17-40mm F/4.0L
I read a lot of reviews before purchasing this lens, and for the price it can't be beat. Excellent color satuation, tack sharp, you can't go wrong with this lens. I used this as my general purpose lens when I had the Canon 20d (it's 1.6x crop factor made this lens more like a 28-64mm), but on the 5d it's a true wide-angle. I love using this lens for shooting interiors and landscapes. I find it particularly suited for landscapes, as I seldom want a shallow depth of field. It was also my first L lens, and it's spoiled me rotten.
Canon 17-40mm f/4.0 L Wide Angle Zoom


Telephoto Zoom Lens: the Canon 70-200mm F/2.8 L IS


Canon 70-200mm F/2.8L IS
Wow, what a lens this is. As I write this I have only had it a couple months, but I am constantly impressed with the results I can get from this high-end glass. The bokeh is silky smooth, the color is true and saturated, and between the 2.8 speed and the image stabilization, it is VERY versatile. There are lots of positive reviews on the net of this lens, but I want to point out something I have not seen others talk about. This lens is an incredibly kind lens when it comes to photographing people. I say it's kind because for a given subject, the image coming out of this lens is more flattering than one from a similar lens. As good as you look, it will make you look better. I haven't been able to pinpoint what technological factors are at work here, but I can see why people rave about this lens for portraits and weddings, this baby was MADE to shoot people.
It was a difficult decision deciding between this and the excellent Canon 70-200mm F/4.0L, but in the end a few factors finally recommended this lens to me. One, I like to shoot in low light, and I knew that I would definitely take advantage of having a faster lens (2.8 vs. 4.0). Second, the image stabilization would further enhance my ability to work in low light, and reduce the need for a tripod. Third, the 2.8 f-stop makes it well suited for portraiture, something I am focusing upon more and more. You just can't get that amazing background blur with a 4.0.
This lens is a healthy chunk of change, no doubt, but in my opinion it is worth it.
Canon EF 70-200mm f/2.8L IS USM Telephoto Zoom


Selective Focus Lens: the Lensbaby 3G


Lensbaby 3G
The Lensbaby 3G is a unique product. At the center of this lens is a bellows that allows you to twist and bend where the lens is aiming. Moving the focal point of the lens off-center creates a lovely blur effect moving away from the area of focus. Examples can be seen here, here, and here. When I get stuck in a rut, this is the lens I break out to shake the neurons loose. It also makes a great portrait lens, with its soft-focus effect.
Lensbaby 3G Canon EF mount SLR Camera Lens (LB3GC)



Accessories


Opteka Remote Release Cord for Canon EOS 5D
A remote release is essential for working in low light situations. Even
with your camera on a tripod, manually pressing the shutter button to
take a photo shakes the camera and leads to reduced sharpness and blur.
Using a remote release, you can trigger the camera without touching it,
for much sharper photos.

Canon Spare Battery - BP511A 1390mAh Lithium
Everybody needs a spare battery. You do too.

77mm Circular Polarizer
Use a Circular Polarizer to control reflections when shooting outdoors. Cancel out reflections on glass and water, deepen the color of vegetation, add contrast and depth to skies. A must if you are shooting outdoors.

Vaughn's Buying Guidelines



Rule #1
: if you have a local camera store that carries what you need, by all means do your best to support them. There is nothing like being able to go in, handle
and test a potential purchase right there in the store. A local camera shop was more than patient with me once, as I sat on the floor for 40 minutes, trying to fit my equipment into different bags.
If you don't have a local store and plan to purchase from the internet, it would do you well to heed Rule #2... do NOT purchase by price alone. It is well worth it to pay $50-$200 more to get your equipment from a trusted source and avoid the endless hassles and heartbreak of dealing with a disreputable company. I know you are on a budget and every dollar counts, but you can lose a lot more money dealing with a bad merchant than you can ever hope to save.
The scary thing is that even the largest price listing sites like Froogle or Pricegrabber regularly show low prices from shady dealers. You can not imagine the rip-off artists you will run into. Some of these sites often show 5 star ratings, and have consumer awards on their homepage. It's no guarantee, believe me.
If you want to check up on someone before you order, go to http://www.resellerratings.com/store/
... I have never found them to have an incorrect rating about a shady dealer.

Some reliable merchants I have ordered from in the past include:

Wednesday, March 26, 2008

Nowhere 1

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Saturday, March 22, 2008

Working from past to present... Little City Roller Girls 2

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Working from past to present... Little City Roller Girls 1

Roller Derby! An ex-coworker of mine helped form the team. These are from a practice session. The lighting conditions were very poor, it was not as bright as it looks in the photos. Best shutter speed I could get, even when pushing the ISO, was 1/50, which wasn't fast enough for the action in most cases. So, not sharp like I want. But it's still a lot of fun. :)



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5. That blurry shape in the background is someone who just got nailed, and is currently going skates-over-helmet. Note the satisfied grin on the person in the foreground. :)



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8. Some gals from the Knoxville team were up giving pointers during this practice.



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11. She is making the "ow this hurts" face after going down hard



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13. Hit coming up....



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15. Contact!



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Thursday, March 20, 2008

Working from past to present... abandoned 2

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